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Sri Aurobindo's room was old and rather dilapidated and the Mother decided that it should be redone.
So it was done up by all of us, Building Department, Harpagon, Electric and
Water Service, Golconde Service, etc. But the furniture was also old and made of
boxwood painted green or brown, quite useful at one time but now become shabby.
So the Mother suggested to Sri Aurobindo that we make new furniture for Him and
He agreed. I was given the wonderful opportunity of designing the furniture and
having it made under my direction at Harpagon.
- Udar- |

Sri Aurobindo's Room furniture |
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The sadhaks who were attending on Sri Aurobindo had
become so used to the existing furniture that they insisted 1 keep before me the
dimensions and conveniences to which they had been accustomed. This demand
restricted the design potential and the existing spaces had to be considered
such as those between the doors and the windows, niches, etc. This was good as
it gave some concrete dimensions on which to base the designs. I had been
reading Le Corbusier's book Modular and had been quite taken up with his
ideas based on the Golden Ratio of proportions and so I used the principle in my
design so as to be sure of a harmonious blending of the furniture with the room
itself. Then with regard to the material, with the Mother's happy approval, it
was decided to have a blend of two of India's best woods: teak and rosewood.
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We had a fairly good supply of very high quality
rosewood which I had purchased some time back when someone had
offered an old stock for sale. But teakwood we had to buy and,
as Pondicherry merchants did not stock such a good quality at
that time, I said to the Mother that I would have to get it from
Cuddalore, twelve miles away. At that time the Mother had
started going out for drives in Her car, with Pavitra (Phillipe
Barbier St.-Hilaire) driving. She said with joy that She Herself would go to
Cuddalore with me and watch me select the timber. 1 was thrilled.
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Sri Aurobindo's bed designed and built by Udar |
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We went on to the
Cuddalore timber depot and I spent quite some time there selecting the teak logs
that I needed. The Mother sat quietly in the car watching me all the time. Then,
when my selection was complete and the price, etc. settled, She called me to Her
and asked if I had all I needed. I said, "Yes." Then She pointed to a very large
log lying in a far corner, a log of wide girth but not square. I had not chosen
that log because of this reason and it was really not what I wanted. But the
Mother said that the log had spoken to Her and had pleaded to be taken as it
wanted to go to Her. I was again thrilled to hear this and immediately included
that log in our selection at a special price. It was so large that I needed two
carts to transport it to Pondicherry. I did not cut up the log. But some years
later when I was to make furniture for the Mother's new room on the second
floor, I cut up the log as I knew it would be happy to go to Mother.
-Udar- |
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When the furniture, well polished with wax (not
French Polish) was installed, Mother gave me another great privilege - that of
looking after, cleaning and polishing the furniture. I was permitted one hour a
day for this. This is how I came into daily persona] contact with Sri Aurobindo.
Except at the Darshans I had not had personal contact before with Him.
Mother didn't fix any
time, so I chose my own, nobody objected and Sri Aurobindo didn't object also.
Every day I used to go for about an hour or so. And sometimes - not always - he
would be dictating Savitri and I would be listening. Of course at that
time I had not become so familiar with
Savitri myself. Later on I became very much involved with Savitri,
but not at that time. It was really very beautiful to hear him dictating; line
after line, line after line, from a powerful inspiration; and Nirod was taking
it down in long hand. And he would be reading it back to Sri Aurobindo.
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Sri Aurobindo did not speak much or often but I
heard Him on several subjects. He did not speak to me directly except a few
times and the memory of this is very precious. I had, however a great good
fortune of being able to make my private pranams to Him on
Darshan days and lay my head in His lap and look closely into His eyes. But
otherwise, except for being in His immediate presence for an hour each day I did
not have close contact with Him.
One day, however, I found
Him looking at me very closely and intensely with a love and compassion that
surpasses all description. I was alone with Him at the time. I did not know why
He was looking at me so, but I was so carried away with the joy and the love He
showered on me in His look that I did not bother about the reason for it. It is
only later, when comparing notes with others who served Him personally, that I
discovered that He was bidding me a physical good-bye. He had done the same to
others - each differently and, it seems, each one was puzzled at the time. But
when He left us physically soon after that, we guessed the reason.
- Udar- |

Writing tables to fit Sri Aurobindo's bed |
Henri Cartier-Bresson

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When Cartier-Bresson was permitted by Mother to
photograph Sri Aurobindo, Udar was the only other person present. Mother asked
Udar to go to help him shift the apparatus. Sri Aurobindo sat throughout
absolutely immobile, without even once blinking. Mr. Bresson said he had never
seen such a model in his life.
- Lilou -
From 1926 to 1950 no photographs had been taken of
Sri Aurobindo. And in 1950, the year that He left his body - I'll tell you the
Divine play - that famous French photographer, Cartier- Bresson, he came to the
Ashram. The Divine arranged it for some reason or the other. He came to the
Ashram and he asked Mother to allow him to take photographs. And then Mother
called me and told me that She had permitted Henri Cartier-Bresson to take
photographs of Sri Aurobindo. The Mother wanted me to help him with the handling
of the equipment in the room and to assist
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him. She said, "Cartier-Bresson is going to take
photographs. I am giving him permission. So you look after him. Do whatever he
wants you to do."
He took photographs of the
Darshan. Mother had specified that no flash was to be used. At that time we
didn't have such powerful lenses. And he said to Mother, "\ regret that
our present technology has not advanced so much to take a full beautiful picture
in insufficient light. I'll do the best I can." And then he went to take
pictures of Sri Aurobindo sitting in the chair. It was a wonderful and sweet
experience, Sri Aurobindo sitting in the chair and I was by the side of the
photographer. And he said, "Turn your head like this, look up, look that side,
look this side..." Cartier-Bresson said he had never had a model like this who
never moved or even blinked.
-Udar- |
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Mother was so helpful and She convinced Sri
Aurobindo and I came to his bedroom with my camera. The room was so neat and
tidy and impersonal. Sri Aurobindo did not blink an eye during the entire ten
minutes I was watching him, he did not seem to belong to that impersonal
setting.
- Henri Cartier-Bresson -
...when I had the privilege of seeing Sri
Aurobindo, I had the impression that he was beyond time...
- Henri Cartier-Bresson -
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